Friday, April 12, 2013
Interactive Chat & Writing Under a Van
I'll also run a trivia contest, and I'll send the winner a free signed copy of the book.
The sign-up page is here. Join me!
Now on to other news. I visited a great school in New Hampshire last week, and in the flow of the talks, I asked one of my favorite questions: Where do you write?
As usual, the kids were reluctant to admit to any odd spots, but once a few classmates revealed their own creative hide-outs, they were all thrusting their hands in the air. Their answers ranked right up there with some of the best. My favorites:
A young man named Sebastian detailed the merits of a small, crater-like hole in his backyard. The hole is large enough for him to sit in comfortably and not terribly clean. Yet Sebastian is so dedicated to this writing spot that he even dug out after the big snowstorms this winter.
Ivy talked about how she used to sneak into the shed at her Dad's house. The space was dark and quiet and she sat on the floor between to old rusted bikes to work on her stories.
Finally, Jason. He's a tall sixth grader, and his teacher tells me he's a great writer. Jason talked about how he used to climb under his Dad's van out in the driveway. He'd lie on the pavement and write, then scurry out as fast as he could if he heard the engine start up.
"But you don't do it anymore?" I asked.
"No," he said.
"Why not?" I asked. "Too dangerous?"
"No," he said. "I grew. Now I don't fit."
Tuesday, March 5, 2013
Dangerous Waters Paperback Release!
The New York Times reported on this story in June of 1912, several months after the sinking. In the article, Quaritch says that as Widener was leaving, he pulled the recently purchased copy of the Essaies out of his pocket and said, "If I am shipwrecked, you will know that this will be on me."
I spent months researching the life of Harry Widener, reading his letters and inspecting his books, but this story is what prompted me to write Dangerous Waters. My obsession with water, which kids are always asking me about, probably factors in as well. Oh, and I was once on a sinking ship, too. But we climbed off and onto another boat before ours went down.
Of course, the book is fiction. Several of the main characters are entirely invented, or at least borrowed form the manifest of my own life, and not that of the ship. Here is the official plot summary, which I love:
Monday, February 25, 2013
Shinobi vs. Ninja in Newton
There were more than a few young writers in the crowd, and in case they're reading, I'd like to follow up with several of them:
To the two boys who were about to show me your funny story: I'd love to read it. As I told you, that's how I started out as a writer. My friends and I spun together ridiculous little tales in between class.
To the girl who wanted me to complete her story: We talked about this already, but that's your story, and you should finish it! I'm sure you'll do a better job of it than I could.
To the amateur ninja expert: Thanks for asking about my still-in-the-works ninja book. As we both know, ninjas were known as shinobi, and they didn't always dress in the black costumes we see today. They disguised themselves as farmers, merchants, and other everyday folk. In truth ninjas were more like spies than warriors. All these kinds of historical details will be part of the book, so check back here for updates, and thanks for coming up to say hello.
Finally, Mr. Mogenson, I think you should wear that jacket every day. And thanks for inviting me in to your wonderful school!
Monday, January 14, 2013
New Dangerous Waters Cover!
The paperback is coming out on March 5th, published by Square Fish. There's some great new material, including an essay detailing my own sinking ship experience, which was part of the inspiration for the novel.
The cover art is courtesy John Hendrix, an amazing author and illustrator. Check out his work here. This new rendition is a real departure from the hardcover version. I love it; I think it really captures all the elements of the story, and it has been fun to break it down with kids during school visits and discuss the different pieces of the picture.
Thursday, April 5, 2012
Androids, Elephants, and the Magic of the Alphabet
The Andover Bookstore hosted a wonderful event a few weekends ago. I was lucky enough to join Jennifer Jacobson, author of Small as an Elephant, and Ben Winters of The Mystery of the Missing Everything and the Tolstoy remix Android Karenina. Thankfully Ben also dragged a few of his children in with him; normally I’m the only one trailing kids.
Each of us read from one of our novels, then took questions from the very engaged, interested audience of young readers and parents. The young Tom Brady’s points about my title, Dangerous Waters, were especially astute, and thanks to Serene for the lovely drawing of Emily!
Chris Rose, an elementary school teacher who also runs the children’s section of the store, delivered a wonderful introduction about the magic of writing; the strange power of the 26 letters of our alphabet, and how, in certain combinations, they can generate such vivid characters and scenes, such real emotions in the minds and hearts of readers. After his introduction, I sure was glad that Jennifer Jacobson went first. Talk about pressure!
If you’re ever passing through north of Boston, stop by the Andover Bookstore. It is truly a singular place, a testament to the importance of independents, and I hope to return soon.
Wednesday, April 4, 2012
Why I Write About Water
During a recent visit to a wonderful school in New Hampshire, a thoroughly vexed young student raised her hand and stared up at me. “Why,” she asked when called upon, “are you always writing about water?”
In fact, my first novel, The Wages of Genius, was set in an office. The problem with writing a story that takes place in a bland and boring business office is that if you really commit yourself to the world, really build and imagine it and make it real, then you end up feeling like you’re sitting in that space all day. I left my job because I couldn’t stand working in a cubicle farm. Then I hung out in independent, funky cafes listening to jazz and scribbling away, imagining the whole time that I was actually in a cubicle farm.
So maybe I’ve learned something. I love the water, but my family is landlocked for the foreseeable future, so I visit the deep ocean in my imagination. Fish, Dangerous Waters, and the new novel I’m polishing are all set out on the sea, and while working on each one, I felt like I was there, staring out at the ocean through my characters eyes, feeling the waves beneath me.
Monday, September 12, 2011
DANGEROUS WATERS Cover
